Numéro - "Mocafico Numéro" Exhibition
Book for the 'Mocafico Numéro' Exhibition.
Mocafico’s work for Numéro provides a model for creative experimentation in the genre.
Established fashion photographer, Mocafico composes radical still lifes out of objects like perfume bottles, shoes, watches and jewelry for Numéro, shooting in ways that incorporate the conventions of architecture, landscape and nude photography.
Publisher: Steidl Publishers
Contributions: interview of Guido Mocafico and Babeth Djian by Philip Utz
Information: a 2016 publication, paperback, 768 pages, in french & english. Dimensions: 23,5 x 7 x 31,5 cm
Louis Vuitton - "Louis Vuitton x Jeff Koons" Exhibition
Exhibition and Gala Dinner at the Louvre Museum in Paris on the occasion of the House's collaboration with Jeff Koons for the Master Collection, by La Mode en Images.
With offices in Europe, the United States, the Middle East and Asia, La Mode en Images designs and produces fashion shows, brand exhibits and large scale events for brands, who deliver custom-made and immersive events worldwide.
Collaboration with other areas of expertise within the Group enriches these moments with virtual experiences and NFT programs.
Panthère de Cartier
Mazarine Image signs the Panthère de Cartier campaign, combining bold jewelry craftsmanship with watchmaking precision, embodied by Vanessa Kirby.
A symbol of sensuality and freedom, Panthère de Cartier creations find the perfect ally in Vanessa Kirby, a friend of the House.
In this campaign directed by Mazarine Image, she immerses herself in the wild and lush world of the panther, embodying an instinctive connection between the woman and her feline alter ego. The campaign unites power and elegance in a naturalistic, magnetic, and timeless jewel.
At brands’ side are 50 talented consulting, creative and production advisors, who shape, magnify and provide meaning through image.
Passionate about brands’ boundaries, their heritage and their expertise, Mazarine Image works with Maisons in building lasting brand platforms, defining singular graphic territories, and creating print and digital content as if they were objets d’art.